Mr. Realla Network
Made for the whole world. Watching starts FREE — the free shelf never moves behind any switch.
Every film on this shelf is proven free and lawful: public domain in the United States, or released free by its own makers. Each title carries its proof on its seat, and every copy was checked end to end before it earned one. The shelf grows by country chapters as the collection grows — one house, the whole world. And a welcome, before anything else: whoever finds this door first — young or grown — comes in free. That never changes.
The laugh shelf — Marx Brothers, Keaton, Chaplin, Lloyd, and the fastest talkers ever filmed.
FULL MOVIE · 93 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). The Marx Brothers. Runtime verified complete on archive.org.
FULL MOVIE · 100 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). Paul Whiteman, Bing Crosby's first feature, "Rhapsody in Blue." Restored cut, runtime verified complete.
FULL MOVIE · 93 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). Eddie Cantor's two-color Technicolor musical — Busby Berkeley's first film choreography. Runtime verified complete on the Archive.
FULL MOVIE · 93 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). Buster Keaton's first talking picture. Runtime verified complete on the Archive.
FULL MOVIE · 90 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). Ernst Lubitsch's musical romance — Jeanette MacDonald sings "Beyond the Blue Horizon." Runtime verified complete on the Archive.
FULL MOVIE · 91 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). Harold Lloyd's talkie thrill comedy — ending, as it must, on the side of a skyscraper. Runtime verified complete on the Archive.
FULL MOVIE · 89 min
PROOF: Public domain in the U.S. (published 1925; the 95-year term expired Jan 1, 2021). Chaplin's masterpiece — the Tramp in the Klondike. The original 1925 silent version; the 1942 narrated reissue is a separate, later work. Runtime verified complete on the Archive.
FULL MOVIE · 80 min
PROOF: Public domain in the U.S. (published 1926; the 95-year term expired Jan 1, 2022). Buster Keaton's Civil War chase — routinely named the greatest comedy ever made. Runtime verified complete on the Archive.
FULL MOVIE · 45 min
PROOF: Public domain in the U.S. (published 1924; the 95-year term expired Jan 1, 2020). Keaton walks into a movie screen — 45 minutes of pure invention. Runtime verified complete on the Archive.
FULL MOVIE · 74 min
PROOF: Public domain in the U.S. (published 1923; the 95-year term expired Jan 1, 2019). Harold Lloyd hanging off the clock face — silent comedy's most famous image. Runtime verified complete on the Archive.
FULL MOVIE · 71 min
PROOF: Public domain in the U.S. (published 1928; the 95-year term expired Jan 1, 2024). Keaton's cyclone finale — the house-front falls, and he doesn't blink. Runtime verified complete on the Archive.
FULL MOVIE · 72 min
PROOF: Public domain in the U.S. (published 1928; the 95-year term expired Jan 1, 2024). Chaplin under the big top — honored with a special Academy Award. Runtime verified complete on the Archive.
FULL MOVIE · 92 min
PROOF: Public domain — its copyright was never renewed (it lapsed in 1967), and the copyright on the play it came from has since expired too. Cary Grant and Rosalind Russell trade the fastest dialogue ever put on film — the newspaper comedy every newsroom movie since has chased.
The heavy shelf — the great stories, played straight and true.
FULL MOVIE · 133 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired — Duke Law, Public Domain Day 2026). Best Picture winner. Complete restored copy, Wikimedia Commons (1080p).
▶ Watch freeFULL MOVIE · 92 min
PROOF: Public domain in the U.S. since Jan 1, 2026. Dietrich & Gary Cooper. Archive copy preserved as public domain; runtime verified complete.
FULL MOVIE · 89 min
PROOF: Public domain in the U.S. since Jan 1, 2026. "Garbo Talks!" — Greta Garbo's first talkie. Runtime verified complete.
FULL MOVIE · 82 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). Norma Shearer's Oscar-winning performance — the pre-Code drama that shocked 1930. Runtime verified complete on the Archive.
FULL MOVIE · 107 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). The film that made Marlene Dietrich a star — Josef von Sternberg's German classic, shown here with English subtitles. Runtime verified complete on the Archive.
FULL MOVIE · 65 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). Marie Dressler's Oscar-winning turn opposite Wallace Beery. Runtime verified complete on the Archive.
FULL MOVIE · 94 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). D.W. Griffith's first talking picture — Walter Huston as Lincoln. Runtime verified complete on the Archive.
FULL MOVIE · 100 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). Frank Capra's pre-Code romance — Barbara Stanwyck's breakthrough role. Runtime verified complete on the Archive.
FULL MOVIE · 94 min
PROOF: Public domain in the U.S. (published 1927; the 95-year term expired Jan 1, 2023). F.W. Murnau's love story — voted among the greatest films ever made. Runtime verified complete on the Archive.
FULL MOVIE · 96 min
PROOF: Public domain in the U.S. (published 1927; the 95-year term expired Jan 1, 2023). The talkie revolution itself — Al Jolson: "You ain't heard nothin' yet." Runtime verified complete on the Archive.
FULL MOVIE · 82 min
PROOF: Public domain in the U.S. (published 1928; the 95-year term expired Jan 1, 2024). Carl Theodor Dreyer's silent landmark — Renée Falconetti's performance is called the greatest in film history. Runtime verified complete on the Archive.
FULL MOVIE
PROOF: Complete feature premiered FREE in 4K by writer/director Frank E. Jackson Jr. (Sunjada Production) on his own channel, Oct 4, 2026 — by the rights holder's own choice.
FULL MOVIE · 93 min
PROOF: An open-source feature — director Tim Baumann released his road movie under Creative Commons (CC BY-SA) and posted it to the Archive himself. Runtime verified complete.
FULL MOVIE · 113 min
PROOF: Public domain from the day it was released — the prints carried a defective copyright notice (no claimant named), so the film never held a U.S. copyright. Audrey Hepburn and Cary Grant, in Paris, in the best Hitchcock film Hitchcock never made.
FULL MOVIE · 95 min
PROOF: Public domain — copyright never renewed (lapsed 1973). Orson Welles directs and stars as a war criminal hiding in a quiet Connecticut town, with Edward G. Robinson hunting him.
FULL MOVIE · 83 min
PROOF: Public domain — copyright never renewed (lapsed 1977). Edmond O'Brien learns he's been poisoned and has hours left to find his own killer. Noir doesn't get more urgent than this.
FULL MOVIE · 68 min
PROOF: Public domain — copyright never renewed. Edgar G. Ulmer shot it in days for almost nothing and made the meanest little noir ever filmed — a hitchhiker, a stranger's car, and fate with its foot down.
FULL MOVIE · 101 min
PROOF: Public domain — copyright never renewed. Fritz Lang's noir of a mild cashier, a painting, and the woman who ruins him — Edward G. Robinson and Joan Bennett.
War wings, wagon trains, and gun smoke — the move shelf.
FULL MOVIE · 124 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (published late 1930; the 95-year term expired — ruling printed on the item's own page). First Western to win Best Picture. Runtime verified complete.
FULL MOVIE · 108 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). John Wayne's first leading role — Raoul Walsh's wagon-train epic. Complete 35mm release version on the Archive; runtime verified.
FULL MOVIE · 132 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). Howard Hughes's aerial war epic — Jean Harlow's film debut, with real dogfights staged in the sky. Runtime verified complete on the Archive.
FULL MOVIE · 87 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). The prison drama that set the mold — Frances Marion's Oscar-winning screenplay. Runtime verified complete on the Archive.
FULL MOVIE · 108 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). Howard Hawks's WWI flying drama — Richard Barthelmess and Douglas Fairbanks Jr. Runtime verified complete on the Archive.
FULL MOVIE · 144 min
PROOF: Public domain in the U.S. (published 1927; the 95-year term expired Jan 1, 2023). The first film ever to win the Academy Award for Best Picture — real aerial combat, no models. Runtime verified complete on the Archive.
FULL MOVIE · 72 min
PROOF: Public domain in the U.S. (published 1925; the 95-year term expired Jan 1, 2021). Eisenstein's Odessa Steps — the most studied sequence in film history. Runtime verified complete on the Archive.
FULL MOVIE · 96 min
PROOF: Public domain (published 1928; the 95-year term expired). The first talkie Western filmed outdoors — Warner Baxter won the Academy Award as the Cisco Kid, all charm and menace.
FULL MOVIE · 100 min
PROOF: Public domain — copyright never renewed (lapsed 1975). John Wayne produced it himself: a wounded gunfighter taken in by a Quaker family, falling for Gail Russell.
FULL MOVIE · 127 min
PROOF: Public domain — copyright never renewed (lapsed 1991). John Wayne and Maureen O'Hara's rowdy comedy-Western — a cattle baron, his estranged wife, and the whole town taking sides.
The lights-off shelf — the originals that taught horror how to scare.
FULL MOVIE · 102 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (Duke Class of 2026). Alfred Hitchcock's early sound thriller — a juror replays a murder in his head. Runtime verified complete on the Archive.
FULL MOVIE · 72 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). Lon Chaney's only talking picture — the Man of a Thousand Faces, speaking in five voices. Runtime verified complete on the Archive.
FULL MOVIE · 85 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). The widescreen mystery from the hit stage play "The Bat" — shot in 65mm Magnifilm. Runtime verified complete on the Archive.
FULL MOVIE · 106 min
PROOF: Public domain in the U.S. (published 1925; the 95-year term expired Jan 1, 2021). Lon Chaney's Phantom — the unmasking that made audiences scream. Runtime verified complete on the Archive.
FULL MOVIE · 93 min
PROOF: Public domain in the U.S. (published 1922; the 95-year term expired Jan 1, 2018). Murnau's unauthorized Dracula — Max Schreck's Count Orlok still haunts horror. The Archive's most complete version; runtime verified.
FULL MOVIE · 77 min
PROOF: Public domain in the U.S. (published 1920; the 95-year term expired Jan 1, 2016). The twisted sets that launched German Expressionism. Restored, tinted copy; runtime verified on the Archive.
FULL MOVIE · 75 min
PROOF: Public domain — its copyright was never renewed. Vincent Price offers five strangers $10,000 each to survive one night in his house. William Castle's gimmick classic.
FULL MOVIE · 87 min
PROOF: Public domain — copyright never renewed (lapsed 1992). Vincent Price, alone in a world of the infected — the first filming of Richard Matheson's 'I Am Legend,' shot in Rome.
FULL MOVIE · 96 min
PROOF: Public domain from its release — the distributor left the copyright notice off the prints, and under the law of the day that put the film in everybody's hands. George A. Romero's original: the dead walk, and horror was never the same. (This seat is a fresh, verified copy — checked end-to-end against the film's true length.)
FULL MOVIE · 72 min
PROOF: Public domain — copyright never renewed (lapsed 1988). Roger Corman shot it in two days: a shy florist, a plant that drinks blood, and a very young Jack Nicholson in the dentist's chair.
FULL MOVIE · 66 min
PROOF: Public domain — it stands on the U.S. public-domain film list, and the Archive copy is preserved as public domain. Corman's beatnik horror-comedy: a busboy becomes an art star with one terrible secret.
The future shelf — from Metropolis to the Pirkinning.
FULL MOVIE · 150 min
PROOF: Public domain in the U.S. (published 1927; the 95-year term expired Jan 1, 2023). Fritz Lang's city of the future — the most influential science-fiction film ever made. Shown in the fullest surviving restoration; runtime verified on the Archive.
FULL MOVIE · 108 min
PROOF: Public domain in the U.S. since Jan 1, 2026 (1930 publication, 95-year term expired). A full science-fiction musical from 1930 — New York in 1980, and a rocket trip to Mars. Runtime verified complete on the Archive.
FULL MOVIE · 103 min
PROOF: Freed by its own makers — Energia Productions released the original "net version" of their feature-length sci-fi parody free under Creative Commons (CC BY-NC-ND) from their own site. Finnish, with subtitles. Runtime verified complete on the Archive.
FULL MOVIE · 79 min
PROOF: Public domain — it stands on the U.S. public-domain film list, and this Archive copy carries the public-domain mark. Ed Wood's beloved 'worst film ever made' — flying saucers, cardboard graveyards, and Bela Lugosi's final footage. Watch it with love.
The whole-family shelf — animation, adventure, and Shirley Temple.
FULL MOVIE · 82 min
PROOF: Freed by its own maker — Nina Paley released her animated feature free under Creative Commons (CC BY-SA, 2009; later dedicated to the public domain, CC0). The Ramayana told as "the greatest break-up story ever told." Complete on the Archive from the maker's own release; runtime verified.
FULL MOVIE · 102 min
PROOF: Public domain in the U.S. (published 1924; the 95-year term expired). The first film ever made of Barrie's play — and Barrie himself picked Betty Bronson to play Peter. Silent, magical, and faithful.
FULL MOVIE · 85 min
PROOF: Public domain in the U.S. (published 1925; the 95-year term expired). The silent Oz, fourteen years before the famous musical — with Oliver Hardy as the Tin Woodman.
FULL MOVIE · 76 min
PROOF: Public domain — copyright never renewed (lapsed 1967). The Fleischer brothers' hand-drawn feature — only the second animated feature ever made, built to stand beside Disney with 'Gabby' and the Lilliputians.
FULL MOVIE · 93 min
PROOF: Public domain — copyright never renewed (lapsed 1967). Shirley Temple's first Technicolor film — Sara Crewe, the little princess of the boarding school, holding onto her father's promise.
The true shelf — real life, filmed by the people who invented the form.
FULL MOVIE · 1h 53m
PROOF: Released FREE worldwide by its own makers on Leonardo DiCaprio's official YouTube channel, Sept 5, 2026, for World Amazon Day. Oscar-shortlisted; 25+ festival awards.
FULL MOVIE · 105 min
PROOF: Released free by its makers — the filmmakers themselves posted the complete documentary to the Archive under Creative Commons (CC BY-NC-SA). The story of the programmer and activist Aaron Swartz. Runtime verified complete.
FULL MOVIE · 78 min
PROOF: Public domain in the U.S. (published 1922; the 95-year term expired). The first great documentary — Robert Flaherty lived with Nanook's family in the Arctic and filmed their real fight to live.
FULL MOVIE · 67 min
PROOF: Public domain in the U.S. (published 1929; the 95-year term expired). Dziga Vertov's city symphony — a whole day of life cut with an energy editors still study a century later.
FULL MOVIE · 31 min
PROOF: A work of the United States government (made for the Farm Security Administration) — public domain from the day it was made. Pare Lorentz's film-poem of the Mississippi River, from the mountains to the Gulf.
FULL MOVIE · 25 min
PROOF: A work of the United States government (made for the Resettlement Administration) — public domain from the day it was made. Lorentz's Dust Bowl landmark: how the plains were farmed to dust, told straight.
Whole shows join the house. Every series below is proven free the same way the films are: the episodes themselves are public domain (their copyrights were never renewed) or were freed by their own makers — and the seats below were opened and checked: full episodes, real runtimes, no clips, no teasers.
📺 TV — FULL EPISODES
PROOF: 55 episodes of the series fell into the public domain when their copyrights were never renewed. This seat holds full episodes (about 25 minutes each), public-domain marked on the Archive — starting with the day the Clampetts struck oil.
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: Sixteen episodes of the series are public domain (copyrights never renewed). This seat is one of them, complete: Opie's tall tale about the American Revolution lands him — and Andy — in school.
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: Thirty-one early episodes of the series are public domain (copyrights never renewed). This seat holds full episodes (about 50 minutes each), public-domain marked on the Archive. The Cartwrights ride again.
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: The 1950s television Dragnet's episodes are public domain (copyrights never renewed). This seat holds 56 full episodes (about 26 minutes each). Just the facts — Sgt. Friday on the case.
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: Many episodes of the program are public domain (copyrights never renewed). This seat holds full episodes — Jack, Rochester, Mary, and the vault that never opens. Well!
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: Episodes of Groucho Marx's quiz show are public domain (copyrights never renewed). This seat is a full collection — 42 complete episodes, public-domain marked on the Archive. Say the secret word and the duck comes down.
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: The series' copyright lapsed into the public domain. This seat holds full episodes (about 26 minutes each) — John Newland presenting true tales of the strange and unexplainable.
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: Many episodes of America's longest-running family sitcom are public domain (copyrights never renewed). This seat holds the first season — full episodes, about 29 minutes each, the Nelson family at home.
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: Twenty-one episodes of the series are public domain (copyrights never renewed). This seat holds those episodes (about 26 minutes each), public-domain marked on the Archive — life at the Shady Rest Hotel.
▶ Open the full episode shelf (Internet Archive)📺 TV — FULL EPISODES
PROOF: Freed by its own makers — the first television series ever released free to the whole world, episode by episode, under Creative Commons. A man falls to Earth in an old Soviet craft, and two federal agents have to figure out if he's telling the truth.
▶ Open the full episode shelf (Internet Archive)One seat, named plainly: Night of the Living Dead (Horror shelf, above) sits on a fresh, verified Archive copy found by this house's own hunt — the old identifier carried by the TV Room was dead and was never revived.
Still being checked before they can sit here: L'Âge d'Or (1930) and Soup to Nuts (1930) — public domain, but no copy has passed the house's end-to-end check yet. Nothing sits on this shelf on a promise.
Also still being checked: Scrooge (1935) — a complete copy exists, but as a British film its U.S. status could not be pinned to a source that settles it · The Lucy Show — some episodes are said to be public domain, but the proof could not be pinned episode by episode · The Kid (1921) — the only verified copy carries foreign intertitles · The Rogue Song (1930) — a lost film.
More channels than anybody on the internet — because they're all home here. Count it yourself: 46 free doors and 1146 named channels, every one of them named in a lineup the services publish themselves. We don't rebroadcast a thing and we never fake a stream: each door and each channel name opens that service's own front door — their player, their license, our welcome mat.
The biggest free room of them all — movies and shows, free with ads, no subscription.
▶ Walk inLive channels plus on-demand movies and shows — free with ads, from Paramount.
▶ Walk inHundreds of channels and thousands of titles on demand — in Xumo's own words, no subscription or login needed.
▶ Walk inSamsung's own free TV — hundreds of live channels and thousands of on-demand titles, built into Samsung TVs and Galaxy phones and on the web in the U.S.
▶ Walk inBuilt into LG smart TVs — 300+ free channels, powered by Xumo; the web door is U.S.-only.
▶ Walk in300+ live channels and on-demand shows on Vizio TVs — free with a Vizio account.
▶ Walk inSling's always-free room — live channels and on-demand, no credit card required.
▶ Walk inAmazon's free-with-ads shelf. A free Amazon account opens it — no Prime needed. (The old Freevee shelf lives here now.)
▶ Walk inA deep bench of free movies and classic TV — watch through FilmRise's own free apps and its rooms across the streamers.
▶ Walk inPublic television's own door — shows, documentaries and live streams from your local station.
▶ Walk inNASA's own free streaming — launches, documentaries and live space coverage. No subscription, ever.
▶ Walk inFree with a library card — movies, shows, music and books from your public library.
▶ Walk inThousands of Canadian films streaming free from the National Film Board.
▶ Walk inThe biggest Spanish-language free shelf — telenovelas, movies and live sports windows; free tier with ads.
▶ Walk inThe named channels, by kind. Lineups of record: Samsung TV Plus — Samsung's own published U.S. channel list (September 2026) · Pluto TV — Paramount's official Pluto press pages and releases · Xumo Play — Xumo's own published channel lineup (December 2023) · LG Channels — LG's own pages and press releases. A name counted once per lineup it appears in — the same channel can live in more than one house, and it's counted in each, exactly as published. A channel that isn't in a published lineup isn't counted here at all.
Trailers and teasers — the previews. The full movies live in THE MOVIES, above.
Previews first — their upfront. Every preview on this wall is an official preview: the newest trailers and teasers, published by the companies themselves on their own official channels, shown here exactly as they released them. When a company takes its seat at this house, its previews run on its own page as well — the seat's first furniture, before features. Companies: your invitation stands below.
Source: Marvel Entertainment — the studio's official channel. Official trailer.
Source: Pixar — the studio's official channel. Official trailer.
Source: Disney — the studio's official channel. Official teaser.
Source: Star Wars — Lucasfilm's official channel. Official trailer.
Source: DC — the studio's official channel. Official trailer.
Source: Universal Pictures — the studio's official channel. Official trailer.
Source: Paramount Pictures — the studio's official channel. Official trailer.
Source: Spider-Man — Sony's official Spider-Man channel. Official trailer.
Source: Amazon MGM Studios — the studio's official channel. Official trailer.
Source: Netflix — the company's official channel. Official trailer.
Source: A24 — the studio's official channel. Official trailer.
Source: NEON — the studio's official channel. Official trailer.
Source: Lionsgate Movies — the studio's official channel. Official trailer.
Source: StudiocanalUK — the company's official UK channel. Official trailer.
Source: JioStudios — the studio's official channel. Official Hindi trailer.
Source: CJ ENM Movie — the distributor's official channel. Official teaser.
Source: Aniplex Channel — the producer's official channel; distributed in Japan by Toho and Aniplex. Main trailer (本予告).
Source: FAAN TV — the official channel of Funke Akindele's FAAN, the film's production company; distributed by FilmOne. Official trailer.
Source: Cinépolis — the exhibitor's official channel in Mexico. Linked out: this preview plays on the company's own page.
Your previews live here — your page is waiting.
We boost your movie to the whole world; your movie brings the world to the house. Both sides eat. A seat at this house is a paid seat — and its first furniture is your previews, running here and on your own page, for your people, across countries, everywhere.
The network's first-run review home. Everything reviewed here is watched in full — the complete film, never a trailer skim — and the house gives its honest word. Reviews are our own; that independence is precisely what makes them count.
Fed by the first-run roads: advance screenings, press lists, and directors' own previews — worldwide. Director interviews and hosted premieres take this stage as the doors open. Nothing posted here until it has been watched whole and cleared.
Every review published in this room is an original work of this house — written by us, owned by us: © Mr. Realla Network. A review can be quoted with credit; it can't be taken.
And when our people talk in this room, they talk in fire — the house rule, in the hosts' own voice: Watched whole. Told true.
We put their names out there — for the whole world. The names below are the first invitations now in preparation. No one listed has agreed to anything yet; the wall lights up as welcomes are returned. Directors: you hold VIP standing at this house.
"Come to our page and post it for your people — across countries, everywhere. We're worldwide." Partners — directors and studios — post their own work into their own seats here: previews first, features as relationships prove out.
1) The partner proves the work is theirs (proof-of-ownership step). 2) A written grant names the territory (worldwide, or the countries named) and the term. 3) House review watches it whole. 4) Only then does it play — in exactly the countries its papers say. No written grant = no post. Ever.
A company's seat begins with its previews. Before features, the previews run: your official trailers and teasers take their place on your own page at this house — the seat's first furniture — and on the house's TRAILERS, where the whole world passes. Your previews introduce you; features follow as the relationship proves out. Seats are paid; previews are how a seat opens.
Keep track of your work on your own page. The Chart counts three things — and only yours:
Your numbers live here — every sale, every record, every fan, counted on your own page.
$5/month + tax — add the Chart to your page
The standing rule: the Chart shows your real numbers on this house only — counted straight, never dressed up.
The house's own content lives here — crew productions and exclusives, made by us and owned by us. The room stands open in the design; the pay switch exists on paper, and on this page only in its OFF state.
Nothing in this room is paywalled. No price is printed — prices are the King's crown, set by his word alone. And the fence stands forever: the Free Shelf never moves behind this switch. Free is the doorway.
Full-length features that arrive by a partner's written permission will sit behind this same switch when that door opens — as paid watching. The dues run in order: first the rights holder's share, exactly per their written grant; then the house's running costs; then the house's cut. And the paid promise stands over every seat: paid means no commercials — a viewer who pays is never also sold to advertisers. The Free Shelf and the Previews never move behind any charge. Today: the switch is OFF, nothing is charged, nothing here is paywalled, and no price is printed — the seat exists on paper, in the open, before it ever exists at a till.
Set small in the corner, as the major companies do — but readable by design. No trick print: true size, true contrast, no excuses. These terms govern every partner posting at this house. (House draft — to be stamped by the professionals before this page goes public.)